Which trombone mouthpiece

The idea was to replicate early designs that were no longer available from Bach, models bypassed in favor of more modern dimensions. In the brass community, there has long been an affinity for these early models, and many have written accolades about performance improvements gained by using them. Now, Bach has gone back into the vaults and reproduced these famous designs d Good for sustained high playing on small equipment.

Designed for the alto trombone. Like the 18 but with a slightly more shallow cup. Like an 18 or 18C, but with an even more shallow cup and more rounded rim.

Like a straight 22 but with a slightly more shallow cup. Like the 22 or 22C, but with a more shallow cup and more rounding on the rim. This is a huge diameter rim for a small shank mouthpiece. A mouthpiece this size on most small and medium bore horns will produce a large, almost "woofy" tone with little sizzle or pop for non-large bore doublers. For some players a flattening of the upper register can be expected. Nice for playing low parts on medium bore trigger tenors e.

Bach 36B. For those with strong chops. A big tenor mouthpiece, not too uncommon, but when used it is often by players on second parts where great volume and dark tone is required. This is a big tenor mouthpiece, not too uncommon, but when used it is often by players on second parts where great volume and dark tone is required. Gold plated. In addition, the mouthpiece is cut from a heavier blank with more mass in the upper part of the mouthpiece. This design is said to increase projection and reduce "edge" at high volumes.

A large diameter small shank mouthpiece. A mouthpiece this size on most small and medium bore horns will produce a large, almost "woofy" tone with little sizzle or pop for non large bore doublers. Overall, a slightly smaller and shallower mouthpiece than the 4. The 4G is a popular large alternative to the more common 5G series models. The larger cup and throat bore help darken the tone, especially at loud dynamics and in the middle and lower registers.

Look for the largest diameter cup that you can comfortably play. The throat of a trombone mouthpiece is the opening leading out of the cup. Throats are often designed to complement the cup and backbore design with the goal of achieving a good balance of tone and projection.

You can produce a brighter or darker tone, raise or lower volume, and raise or lower pitch depending on the shape and size of the backbore. Beginners will be well-advised to look for a backbore that balances all of these qualities. In most cases, however, the backbore is also commonly designed to complement the cup. Medium cups will have a medium backbore, which is likely to offer a suitable balance in sound.

If your child is a student, a great place to start is by speaking with their music teacher or band instructor. Save my name, email, and website in this browser for the next time I comment. Materials One of the first things to consider when shopping for a mouthpiece for a trombone is the material. Rim The rim is the part of the mouthpiece that actually touches your mouth. A euphonium mouthpiece is different in many ways than a trombone mouthpiece, and here are the three most common:. It is sometimes easy for young euphonium players to use a standard trombone mouthpiece for a few reasons:.

Unfortunately many students and teachers do not know that euphonium and trombone mouthpieces are different. Euphonium mouthpiece dimensions allow for an easier time producing a full, resonant, and beautifully rich sound.

Control of the essential euphonium skill of vibrato is made easier with the design of the euphonium mouthpiece, as is pitch centering throughout all partials. Range comfort is also a plus and notes speak easier with clearer articulations. In short, a proper euphonium mouthpiece makes performing on the instrument easier and more fulfilling.

When doubling, make sure you look for a rim that provides a similar feel and comfort level, so that your switch is easier. I find the switch is easier, especially in terms of rim comfort. Of course the cup size is different, but at least one constant stays in place that makes the switch easier. The earlier you can start young euphoniumists on a proper mouthpiece, the sooner you will see upper level advancements in their performance abilities.

Ian Bousfield Classic C3. Griego Mouthpieces Brian Hecht Audition 1. Griego Mouthpieces Brian Hecht Recital 0. Ian Bousfield Classic C5. Ian Bousfield Classic C4.

All brands. Thomann Breath Builder. Thomann Shaker Classic. Thomann Mouthpiece Bag Trombone. Denis Wick Cornet 4 B-Stock. Bach Cornet 9B B-Stock. Bach Trumpet 1B B-Stock.